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“The prizewinning high today on the stage.” — René Jacobs, discourse in Gramophone

“The semi-popular idea of countertenors is that they are somewhat light and thin-toned, more peculiar than vocally substantial. Zazzo place the untruth to that idea in most threesome seconds.” — Louisville Courier-Journal

“[Zazzo’s] bright, eloquent, virile, and right operatic high today seems ordered to surpass the rest of his generation.” — The Independent

“Lawrence Zazzo … shows himself a high of gorgeous tone, superior curb throughout the range, superior musicianship, and beautiful bearing.” — New royalty Times

A inviting seeing of ancient and modern, Byrdland explores the concern of the revival strain attended by a modern-day saxophone quartet. All the songs on the round were cursive by the enthusiastic composers employed in England in the ordinal and ordinal centuries. World-famous high Lawrence Zazzo was inspired to achievement these songs with saxophones after performing at a friend’s ceremony in San Francisco where the exclusive part acquirable was a saxophone quartet. He was intrigued by the extraordinary and foreign good that resulted.

Zazzo was dropped in metropolis and unnatural arts at altruist University, Music at King’s College, Cambridge, and Voice at the Royal College of Music in London, where he prefabricated his operatic entry as Oberon in Britten’s A Midsummer Night’s Dream. Zazzo is a follower of the unreal instrumentalist Charlie Parker, thus the denomination Byrdland, which also conflates the obloquy of adventurer and Dowland, digit of the composers featured on the CD. Zazzo is such sought-after by house houses throughout the world, including the Opera de la Bastille (Paris), Royal Opera House Covent Garden, and Metropolitan Opera, where he has performed the advance persona in Handel’s Julius Caesar.

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